The Columnist in the Mousetrap


By Sam Vaknin
Author of "Malignant Self Love - Narcissism Revisited"

I am a voracious reader of the most convoluted and lexiphanic texts - yet,
there is one author I prefer to most. She gives me the greatest pleasure and
leaves me tranquil and craving for more when I am through devouring one of
her countless tomes. A philosopher of the mundane, a scholar of death, an
exquisite chronicler of decay and decadence - she is Dame Agatha Christie. I
spend as much time wondering what so mesmerizes me in her pulp fiction as I
do trying to decipher her deliciously contorted stratagems.

First, there is the claustrophobia. Modernity revolves around the rapid
depletion of our personal spaces - from pastures and manors to cubicles and
studio apartments. Christie - like Edgar Ellen Poe before her - imbues even
the most confined rooms with endless opportunities for vice and malice,
where countless potential scenarios can and do unfold kaleidoscopically. A
Universe of plots and countervailing subplots which permeate even the most
cramped of her locations. It is nothing short of consummate magic.

Then there is the realization of the ubiquity of our pathologies. In
Christie's masterpieces, even the champions of good are paragons of mental
illness. Hercules Poirot, the quintessential narcissist, self-grooming,
haughty, and delusional. Miss Marple, a schizoid busybody, who savors
neither human company, nor her inevitable encounters with an intruding
world. Indeed, it is deformity that gifts these two with their eerily
penetrating insights into the infirmities of others.

Then, there is the death of innocence. Dame Agatha's detective novels are
quaint, set in a Ruritanian Britain that is no more and likely had never
existed. Technologies make their debut: the car, the telephone, the radio,
electric light. The very nature of evil is transformed from the puerile
directness of the highway robber and the passion killer - to the scheming,
cunning, and disguised automatism of her villains. Crime in her books is
calculated, the outcome of plotting and conspiring, a confluence of
unbridled and corrupted appetites and a malignant mutation of individualism.
Her opus is a portrait of our age as it emerged, all bloodied and repellent,
from the womb the dying Victorian era.

Christie's weapons of choice are simple - the surreptitious poison, a
stealthy dagger, the cocked revolver, a hideous drowning. Some acquaintance
with the sciences of Chemistry and Physics is indispensable, of course.
Archeology comes third. But Christie's main concerns are human nature and
morality. The riddles that she so fiendishly posits cannot be solved without
taking both into account.

As Miss Marple keeps insisting throughout her numerous adventures, people
are the same everywhere, regardless of their social standing, wealth, or
upbringing. The foibles, motives, and likely actions of protagonists -
criminals as well as victims - are inferred by Marple from character studies
of her village folks back home. Human nature is immutable and universal is
Christie's message.

Not so morality. Formal justice is a slippery concept, often opposed to the
natural sort. Life is in shades of gray. Murders sometimes are justified,
especially when they serve to rectify past wrongs or prevent a greater evil.
Some victims had it coming. Crime is part of a cycle of karmic retribution.
The detective's role is to restore order to a chaotic situation, to
interpret reality for us (in an inevitable final chapter), and to administer
true and impartial justice, not shackled by social or legalistic norms.

Thus, nothing is as it seems.

It is perhaps Christie's greatest allure. Beneath the polished,
petite-bourgeois, rule-driven, surface, lurks another world, replete with
demons and with angels, volcanic passions and stochastic drives, the mirrors
and the mirrored, where no ratio rules and no laws obtain. Catapulted into
this nightmarish, surrealistic landscape, like the survivors of a shipwreck,
we wander, bedazzled, readers and detectives, heroes and villains, damsels
and their lovers, doomed to await the denouement. When that moment comes,
redeemed by reason, we emerge, reassured, into our reinstated, ordered,
Before Christ(ie) existence.

Her novels are the substance of our dreams, woven from the fabric of our
fears, an open invitation to plunge into our psyches and courageously
confront the abyss. Hence Christie's irresistibility - her utter
acquaintance with our deepest quiddity. Who can forgo such narcissistic
pleasure? Not your columnist, for sure!


Sam Vaknin ( http://samvak.tripod.com ) is the author of Malignant Self
Love - Narcissism Revisited and After the Rain - How the West Lost the East.
He served as a columnist for Global Politician, Central Europe Review,
PopMatters, Bellaonline, and eBookWeb, a United Press International (UPI)
Senior Business Correspondent, and the editor of mental health and Central
East Europe categories in The Open Directory and Suite101.

Visit Sam's Web site at http://samvak.tripod.com