``GOTTA SERVE SOMEBODY: THE GOSPEL SONGS OF BOB DYLAN'' Documentary
DVD to Arrive in Stores February 7

CHATSWORTH, Calif.--(BUSINESS WIRE)--Jan. 23, 2006--
-- Features Gospel Stars Shirley Caesar, Aaron Neville, Dottie
Peoples, Mighty Clouds of Joy, Chicago Mass Choir, and Sounds of
Blackness, Among Those from Grammy Nominated Album

-- Marks First Release of Footage from Bob Dylan's Controversial Gospel Tours

Image Entertainment announces the February 7 release of the DVD "GOTTA
SERVE SOMEBODY: THE GOSPEL SONGS OF BOB DYLAN." The music documentary
showcases this important body of Bob Dylan's work and its profound
effect on a who's who of modern gospel artists. The film features
roof-raising performances, an insider's look at the making of the
album of the same name, and presents revealing interviews with artists
including Shirley Caesar, Aaron Neville, Fairfield Four, Mighty Clouds
of Joy, and Dottie Peoples discussing their personal relationship with
Dylan's words.

The documentary premiers live footage of Bob Dylan performing "When He
Returns," from a 1980 all-gospel concert, marking the first archival
footage released from the most controversial era of his career. "This
was Bob Dylan's ultimate rebellion, and it took much more courage than
strapping on an electric guitar," says the film's producer Jeffrey
Gaskill.

The project offers historical insights into this significant but
underappreciated Bob Dylan era provided by Jim Keltner, Fred Tackett,
Spooner Oldham, and Regina McCrary - all of whom performed and
recorded with Dylan during his gospel period. Famed record producer
Jerry Wexler, who produced the records, and music journalists Paul
Williams and Alan Light, also appear.

Louvinia Pointer, 89-year old director of Brooklyn's Great Day
Chorale, tells an interviewer 'the words spoke so much to my faith
that we had to be apart of (this film), I have used "In the Garden,"
the lyrics to that song, to minister to my choir and to minister to
other people I have met.'

In 2003, the all-star cast, recorded the new versions of Dylan's songs
and the resulting album was nominated for two GRAMMY Awards and hailed
with critical acclaim.

"Another corner of American music has, appropriately, claimed Dylan as
its own," said the Associated Press.

Entertainment Weekly suggested that "Even agnostics may now agree
there was something nearly supernatural about Dylan's mastery of an
unlikely idiom--black gospel."